Peter Pan (1953) Director: Clyde Geronimi, Wilfred Jackson, Hamilton LuskeĢ8. Nightcrawler (2014) Director: Dan GilroyĢ7.
Alice Through the Looking Glass (2016) Director: James BobinĢ6. Aladdin (1992) Directors: Ron Clements, John MuskerĢ. So far, Gaby has compiled more than 250 palettes, some of which might even give you color ideas for your next design project. To highlight the significance of color in films, UK-based designer Gaby Smith has come up with an interesting project called Cinema Palettes, that features color palettes derived from memorable scenes of famous movies.
Monochrome night time palette movie#
Teal and orange seem to be the trend in Hollywood nowadays, especially in movie adaptations of graphic novels and comic books. Sci-fi and cyborg films use shades of blue, grey, and green.
Romantic comedies use pastel shades like beige, pink and lilac. Yellow was used in Kill Bill (2003) to depict Uma Thurman’s character’s madness and instability. Directors Lilly and Lana Wachowski used a green tint in The Matrix (1999) to create a mood palette that was suggestive of the early monochrome computer monitors. If working with a small space, embrace a clean white colour scheme to open up the room, then use accents of black on panelling, skirting boards or as a linear divide to the room to make a real statement.Color sets the tone and mood of a film before any of the actors have even uttered a word. Black paint used in excess can dwarf a small space, but is a fantastic choice for tying together a large open space and creating a cosy look. Helen Shaw, who oversees the direction of paint specialist brand Benjamin Moore, highlights that using smaller quantities of black - and more of the paler shade of white - is what often distinguishes a successful monochrome interior to one that might be deemed overbearing, ‘A monochromatic scheme can be used to create an impactful style, black and white used in tandem is the most straightforward way to make an eye catching effect. If you want the room to be timeless then it’s wise to stick to cream or white walls, with subtle touches of black on linear design details such as furniture frames or feet, and flooring. The trick is in the ratio of light to dark.
Maugham’s monochrome interiors were viewed as the height of good taste, and we can’t argue with that. She proved that monochrome interiors can be elegant and cocooning, and contrary to popular belief not at all stark or cold. What made her monochrome rooms so successful? Her room settings often featured mirrored panel detailing and signature white or cream drapes. Her black and white palette earned her much praise within the London socialite circles, and as a result, multiple further commissions for her sleek monochromatic work.
Monochrome night time palette series#
The black and white aesthetic has always proven a popular choice for interior designers and clients alike, particularly when striving for the London Look, which relies on a largely monochromatic backdrop, proving time and time again that it’s one of the most popular decorating and colour trends to work with.Įarly examples of successful monochromatic decorating schemes can be traced back to the 1930s when interior designer Syrie Maugham unleashed a series of black and white schemes.
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